In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Ōkyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world.
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Yamamoto Baiitsu (Japanese, 1783–1856) — Geese, Reeds, and W
Chinese Landscape
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Nakabayashi Chikkei — 中林竹渓筆 夏秋山水図屏風|Summer and Autumn Landsc
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming 
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Chinese Landscape
Yamamoto Baiitsu — 山本梅逸筆 四季山水図|Landscapes of the Four Season
Kaihō Yūshō (Japanese, 1533–1615) — Winter and Summer Flower
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
