FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In a panorama of mountains and expanses of water, three gentlemen have assembled by moonlight to enjoy one another’s company away from a bustling village. An influx of ink paintings from China in both album and scroll formats beginning in the late 1200s inspired Japanese artists to create landscapes based upon Chinese prototypes. Later, Japanese painters adapted the imagery to the larger format of folding screens, which were used to define spaces in large rooms.
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Chinese Landscape
Unkoku Tōeki (Japanese, 1591–1644?) — Chinese Pavilions in a
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
Watanabe Shikō (Japanese, 1683–1755) — Eight Views of the Xi
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Watanabe Shikō (Japanese, 1683–1755) — Eight Views of the Xi
Moonlit Landscape (one of a pair)
Moonlit Landscape (one of a pair)
Yi Sumun (Korean, b. c. 1404) — Landscape of the Four Season
Landscape with Motifs from the Eight Views of Xiao-Xiang
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons