Chinese Landscape

1500s
One of a pair of six-fold screens; ink and slight color on paper

SEE IT IN PERSON

Not currently on view

In the collection of Cleveland Museum of Art, Cleveland · as of July 2026

View at clevelandart.orgPlan a visit ↗

Discussion

FROM THE CLEVELAND MUSEUM OF ART’S CATALOG

In a panorama of mountains and expanses of water, three gentlemen have assembled by moonlight to enjoy one another’s company away from a bustling village. An influx of ink paintings from China in both album and scroll formats beginning in the late 1200s inspired Japanese artists to create landscapes based upon Chinese prototypes. Later, Japanese painters adapted the imagery to the larger format of folding screens, which were used to define spaces in large rooms.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More like this

Chinese LandscapeChinese LandscapeChinese Pavilions in a LandscapeUnkoku Tōeki (Japanese, 1591–1644?) — Chinese Pavilions in aThe Four SeasonsKano Tan’yū (Japanese, 1602–1674) — The Four SeasonsEight Views of the Xiao and Xiang RiversWatanabe Shikō (Japanese, 1683–1755) — Eight Views of the XiSummer and Winter Landscapes (one of a pair)Kano Naonobu (Japanese, 1607–1650) — Summer and Winter LandsSummer and Winter Landscapes (one of a pair)Kano Naonobu (Japanese, 1607–1650) — Summer and Winter LandsEight Views of the Xiao and Xiang RiversWatanabe Shikō (Japanese, 1683–1755) — Eight Views of the XiMoonlit Landscape (one of a pair)Moonlit Landscape (one of a pair)Moonlit Landscape (one of a pair)Moonlit Landscape (one of a pair)Landscape of the Four SeasonsYi Sumun (Korean, b. c. 1404) — Landscape of the Four SeasonLandscape with Motifs from the Eight Views of Xiao-XiangLandscape with Motifs from the Eight Views of Xiao-XiangThe Four SeasonsKano Tan’yū (Japanese, 1602–1674) — The Four Seasons