Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This byōbu composition differs from most in that it comprises two four-panel screens, rather than two six-panel units. Since the current mounting is modern, it is impossible to determine whether its present configuration represents its original design. Some panels may have been removed to help the screens better fit into a modern interior space. Baiitsu worked almost exclusively in monochromatic ink tones and favored classical Chinese painting themes.
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Maruyama Ōkyo (Japanese, 1733–1795) — Summer Night
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Maruyama Ōkyo (Japanese, 1733–1795) — Winter Day
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Kano Sanraku (Japanese, 1559–1635) — Wild Geese
Kaihō Yūshō (Japanese, 1533–1615) — Winter and Summer Flower
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Maruyama Ōkyo (Japanese, 1733–1795) — Summer Night; Winter D
Kaihō Yūshō (Japanese, 1533–1615) — Winter and Summer Flower
Kaihō Yūshō (Japanese, 1533–1615) — Winter and Summer Flower
Watanabe Shikō (Japanese, 1683–1755) — Eight Views of the Xi
Landscape with Motifs from the Eight Views of Xiao-Xiang
