Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Ōkyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world.
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Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Chinese Landscape
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Watanabe Shikō (Japanese, 1683–1755) — Eight Views of the Xi
Watanabe Shikō (Japanese, 1683–1755) — Eight Views of the Xi
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming 
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
Yamamoto Baiitsu (Japanese, 1783–1856) — Geese, Reeds, and W
Chinese Landscape
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
