● On view now — Collection Gallery, Room 05, South Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
In the mid-late 1870s, Cézanne painted a series of small-format pictures of bathers in which he explored the different relationships between figures and the landscape. Here three bathers gather on a riverbank framed by two trees. Their bodies are intentionally awkward, with the pose of the hunched-over bather at left mirrored by the thick tree trunk next to her. Cézanne was more interested in the equilibrium of his carefully constructed composition than the conventional beauty of bathing females.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Pierre-Auguste Renoir — Bathers in the Forest (Baigneuses da
Henri Matisse — Le Bonheur de vivre, also called The Joy of
Paul Cezanne — The Bathers
Jules Pascin — Two Nudes–One Standing, One Sitting
Paul Cezanne — Bathers
Pierre-Auguste Renoir — Resting in the Grass (Le Repos sur l
Pablo Picasso — Three Nudes (Trois nus)
Pierre-Auguste Renoir — Bathing Group
Paul Cezanne (French, 1839–1906) — The Bathers
Paul Cezanne (French, 1839–1906) — The Bathers (Large Plate)
Jules Pascin — Two Standing Nudes (Deux nus debout)