● On view now — Gallery 248
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Paul Cezanne set this idyllic view of a group of bathers in a frame of foliage. He rendered the ground, water, trees, and sky with patches of hatching that seem to register the energy he felt when painting. His primary concern, however, seems to have been striking a balance between the vigor of the bodies and the restfulness of the setting through individual poses and figure groupings—some invented, some likely derived from his other works depicting this subject. Over the course of his career, Cezanne frequently revisited groups of bathers in nature. Through his multiple studies of the subject, he reconceived the classical motif of nudes outdoors in a modern style.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cézanne — Bathers (Baigneurs)
Paul Cézanne — Bathers (recto); Landscape (verso)
Paul Cézanne — Five Bathers (Cinq baigneuses)
Paul Cézanne — Bathers
Paul Cezanne (French, 1839–1906) — The Bathers
Paul Cézanne — Three Bathers (Trois baigneuses)
Paul Cézanne — The Courtesans (Les Courtisanes)
Jules Pascin — Offering to Venus (Offrande à Vénus)
Paul Cézanne — Group of Bathers (Groupe de baigneurs)
Paul Cézanne — The Toilette (La Toilette)
Arthur B. Davies (American, 1862–1928) — Hermes and the Infa
Paul Cézanne — Bathers (recto); Still Life (verso)