● On view now — Gallery 248
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Paul Cezanne made this work during his first prolonged stay at Auvers, where he was mentored by Impressionist painter Camille Pissarro . Cezanne rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—using blocky, energetic patches of color and areas of ragged brushwork that seem unfinished, especially at the lower left and center. These choices, which were radical at the time, mark his attempt to communicate not merely the landscape’s appearance but also the feeling of seeing it and painting it.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Madame Cézanne (Portrait de Madame Cézanne)
Geo Poggenbeek — View of Dinant
Paul Cézanne — The Church of Saint-Aspais Seen from the Plac
Paul Cézanne — The Bellevue Plain / The Red Earth (La plaine
Edgar Degas — View of Saint-Valéry-sur-Somme
Paul Cézanne — Toward Mont Sainte-Victoire (Vers la Montagne
Camille Pissarro — Garden in Full Sunlight (Le Jardin au gra
Paul Cézanne — Gardanne (Horizontal View) (Gardanne [vue hor