In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This byōbu composition differs from most in that it comprises two four-panel screens, rather than two six-panel units. Since the current mounting is modern, it is impossible to determine whether its present configuration represents its original design. Some panels may have been removed to help the screens better fit into a modern interior space. Baiitsu worked almost exclusively in monochromatic ink tones and favored classical Chinese painting themes.
Be the first to share your thoughts.
Sign in to join the discussion.
Maruyama Ōkyo 円山応挙
Kano Sanraku (Japanese, 1559–1635) — Wild Geese
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Maruyama Ōkyo (Japanese, 1733–1795) — Summer Night
Kano Sanraku (Japanese, 1559–1635) — Wild Geese
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Maruyama Ōkyo (Japanese, 1733–1795) — Winter Day
Landscape with Motifs from the Eight Views of Xiao-Xiang
Kano Chikanobu
Kaihō Yūshō (Japanese, 1533–1615) — Winter and Summer Flower
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
