Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This screen is from a separated pair depicting the Eight Views of Xiao-Xiang, a Chinese painting and poetry theme. Read in the manner customary for Japan, from right to left, the motifs here are “Evening Bell from a Mist-Shrouded Temple,” “Wild Geese Descending to a Sandbar,” “Sunset Glow over a Fishing Village,” and “Mountain Market in Clearing Mist.” The “crab-claw” style of the trees, in which the branches resemble the curved claws of a crab, and the stippling effect indicate a familiarity with Korean interpretations of Chinese painting styles of the Song dynasty..
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Unkoku Tōeki (Japanese, 1591–1644?) — Chinese Pavilions in a
Moonlit Landscape (one of a pair)
Moonlit Landscape (one of a pair)
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Landscape
Sōami — 相阿弥筆 四季山水図 (瀟湘八景)|Landscape of the Four Seasons (Ei
Landscape
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
Chinese Landscape
Chinese Landscape
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
Kim Si (Korean, 1524–1593) — Snowscape with Figures