Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In no other of Fuseli’s original prints (that is, prints made by him, in contrast to reproductive engravings made by others after his paintings) did he so closely approach the condition of drawing as here. The etched line and aquatint, a type of etching that uses powdered rosin to create a tonal effect, successfully evoke the penned line and brushed wash of his watercolors.
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The Night-Hag Visiting Lapland Witches
Two Heads of Damned Souls from Dante's "Inferno" (front and
Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
Study for Inquisition, Illustration to Columbiad
Hagen and the Nymphs of the Danube
Prospero, Miranda, Caliban and Ariel
William Blake — Nude Figure of a Man with Flaming Torch
Dante Alighieri|William Blake — The Circle of Corrupt Offici
Jean-Honoré Fragonard (French, 1732–1806) — Saint Jerome
Giovanni Battista Tiepolo — Time Seated, Clutching a Putto
Maria Katharina Prestel — The Triumph of Truth over Envy
Max Klinger — Back into Nothingness, plate fifteen from A Li
Giovanni Battista Tiepolo — Time and Truth
Unknown artist
Italian or French, 18th century — Fountain wi
Tommaso Piroli|Michelangelo Buonarroti — Last Judgment, afte
Raymond de Lafage — Praying Virgin and Figures in Clouds
Claude-Ferdinand Gaillard|Jean Auguste Dominique Ingres — Oe
Nicolas-François Chifflart (French, 1825–1901) — The Devil o