Henry Fuseli

Prospero, Miranda, Caliban and Ariel

1800/05
Oil and oil wash, with pen and black ink, charcoal, and touches of incising, heightened with touches of white chalk, on tan laid paper, laid down on off-white Japanese paper
71.5 × 57.5 cm (28.1 × 22.6 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Henry Fuseli

The Night-Hag Visiting Lapland WitchesThe Night-Hag Visiting Lapland WitchesTwo Heads of Damned Souls from Dante's "Inferno" (front and back)Two Heads of Damned Souls from Dante's "Inferno" (front and Milton Dictating to His DaughterMilton Dictating to His DaughterPerseus Starting from the Cave of the GorgonsPerseus Starting from the Cave of the GorgonsSketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)Sketch for 'Dido on the Funeral Pyre' (recto); Erotic SketchStudy for Inquisition, Illustration to ColumbiadStudy for Inquisition, Illustration to ColumbiadHagen and the Nymphs of the DanubeHagen and the Nymphs of the DanubeUgolino and His Sons Starving to Death in the TowerUgolino and His Sons Starving to Death in the Tower

More like this

The Triumph of Truth over EnvyMaria Katharina Prestel — The Triumph of Truth over EnvyUrizenWilliam Blake — UrizenDante and Virgil on the back of GeryonBertel Thorvaldsen — Dante and Virgil on the back of GeryonThe Triumph of Truth over Envy, Plate 24Maria Catharina Prestel (German, 1747–1794) — The Triumph ofThe FloodWilliam Young Ottley — The FloodBack into Nothingness, plate fifteen from A LifeMax Klinger — Back into Nothingness, plate fifteen from A LiSaint JeromeJean-Honoré Fragonard (French, 1732–1806) — Saint JeromeDavid and GoliathHenry Pierce Bone — David and GoliathSatan Starts from the Touch of Ithuriel's SpearHenry Fuseli (Swiss, 1741–1825) — Satan Starts from the ToucPlate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skinsPellegrino Tibaldi|Domenico Maria Fratta|Bartolomeo CrivellaAngel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)William Blake — Angel of the Divine Presence Bringing Eve toNude Figure of a Man with Flaming TorchWilliam Blake — Nude Figure of a Man with Flaming Torch