Henry Fuseli

Swiss, Zürich 1741–1825 London · 44 works on DiscoverArt

Works

Das Gefängnis — Das Gefängnis1806

Kriemhild über der Leiche Siegfrieds — Kriemhild über der Leiche Siegfrieds1817

Herakles erlegt den Adler des Prometheus — Herakles erlegt den Adler des Prometheus1783

Satan über dem feurigen See, Beelzebub zu sich aufrufend — Satan über dem feurigen See, Beelzebub zu sich aufrufend1802

Theseus und Ariadne — Theseus und Ariadne1788

Oedipus Cursing His Son Polynices — Oedipus Cursing His Son Polynices1786

Die Sünde, vom Tode verfolgt — Die Sünde, vom Tode verfolgt1795

Oberon träufelt Blumensaft auf die Augen der schlafenden Titania — Oberon träufelt Blumensaft auf die Augen der schlafenden Titania1793

Satan and Death with Sin Intervening — Satan and Death with Sin Intervening1799

Einsamkeit im Morgenzwielicht — Einsamkeit im Morgenzwielicht1795

The Night-Hag Visiting Lapland Witches — The Night-Hag Visiting Lapland Witches● On view · Gallery 641

Almansaris besucht Hüon im Gefängnis — Almansaris besucht Hüon im Gefängnis1804

The Oath on the Rütli — The Oath on the Rütli1780

Head of a Damned Soul from Dante's "Inferno," (verso) — Head of a Damned Soul from Dante's "Inferno," (verso)1774

Amor und Psyche — Amor und Psyche1810

Titania findet am Strand den Zauberring — Titania findet am Strand den Zauberring1804

The Erinyes Drive Alcmaeon from the Corpse of his Mother, Eriphyle, Whom He Has Killed. — The Erinyes Drive Alcmaeon from the Corpse of his Mother, Eriphyle, Whom He Has Killed.1821

Titania, Bottom and the Fairies — Titania, Bottom and the Fairies1793

Die Damen von Hastings — Die Damen von Hastings1799

Silence — Silence1800

Die Donaunixen prophezeien Hagen den unglücklichen Ausgang von Gunthers Zug — Die Donaunixen prophezeien Hagen den unglücklichen Ausgang von Gunthers Zug1807

Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti — Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti1783

Laying Nude and piano player — Laying Nude and piano player1799

Die drei Hexen — Die drei Hexen1783

Achilleus greift nach dem Schatten des Patroklos — Achilleus greift nach dem Schatten des Patroklos1803

Falstaff in the Laundry Basket — Falstaff in the Laundry Basket1792

Prince Arthur and the Fairy Queen. — Prince Arthur and the Fairy Queen.1788

Thetis bittet Hephaistos, für ihren Sohn Achilleus eine Rüstung zu schmieden — Thetis bittet Hephaistos, für ihren Sohn Achilleus eine Rüstung zu schmieden1803

Bodmer und Füssli vor der Büste Homers — Bodmer und Füssli vor der Büste Homers1780

Dispute between Hotspur, Glendower, Mortimer and Worcester — Dispute between Hotspur, Glendower, Mortimer and Worcester1784

Milton Dictating to His Daughter — Milton Dictating to His Daughter1793

Thetis bittet Hephaistos um Waffen für Achilleus — Thetis bittet Hephaistos um Waffen für Achilleus1803

Hagen and the Nymphs of the Danube — Hagen and the Nymphs of the Danube1802

Sketch for "Oath on the Rütli," Female Figure (verso) — Sketch for "Oath on the Rütli," Female Figure (verso)● On view · Gallery 219

Portrait of a Young Lady Drawn in Left Profileca. 1778–79

Satan Starts from the Touch of Ithuriel's Spear — Satan Starts from the Touch of Ithuriel's Spear1776

Oedipus at Colonus, Cursing his Son Polynices — Oedipus at Colonus, Cursing his Son Polynices1777

Evening Thou Bringest All — Evening Thou Bringest All1803

Menelaus and Patroclus, after the Antique (recto and verso) — Menelaus and Patroclus, after the Antique (recto and verso)1770–78

The Daughters of Pandareos — The Daughters of Pandareos1795

Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi) — Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi)1800–1810

Night and Her Children Aither and Hemera (Hesiod, Theogony) — Night and Her Children Aither and Hemera (Hesiod, Theogony)ca. 1810–15

Sleeping Woman with a Cupid — Sleeping Woman with a Cupid1780–1790

Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso) — Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)1764–70

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