Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Spanish Inquisition (symbolizing religious intolerance) is personified as a sinister-looking woman carrying a sword and holding a flaming vessel. She stands triumphantly atop the prone body of Truth. Peering out from behind her is a Dominican friar, an instrument of her authority. Fuseli’s painted sketch (a study for an unpublished engraving) illustrates lines from the early American poet Joel Barlow’s Columbiad (published 1807), an epic account in verse of the founding of the United States. Barlow had commissioned illustrations from Fuseli, which were ultimately rejected. Notably, Fuseli painted this study directly on a reproductive engraving of one of his own paintings, which was presumably close at hand.
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The Night-Hag Visiting Lapland Witches
Two Heads of Damned Souls from Dante's "Inferno" (front and
Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
Hagen and the Nymphs of the Danube
Prospero, Miranda, Caliban and Ariel
Ugolino and His Sons Starving to Death in the Tower
Clement Auguste Andrieux — Allegory of Death
Henry Pierce Bone — Althaea
Dante Gabriel Rossetti|Johann Wolfgang von Goethe — Faust: P
Charles Rambert — The Duel
Alfred George Stevens (British, 1817–1875) — Lot's Wife
T. C. & E. C. Jack|Wilhelm Lehmbruck|William Shakespeare — M
Gustave Doré (French, 1832–1883) — Liberty
Moses Haughton, II — The Nursery of Shakespeare
Giovanni David — A Nightmare
Richard Westall — Lady of the Lake
George Bellows (American, 1882–1925) — The Drunk
Jean-François Millet (French, 1814–1875) — Liberty