DISCOVERART

Mushfiq

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

1520–1607
Gum tempera, ink, and gold on paper

SEE IT IN PERSON

Not currently on view

In the collection of Cleveland Museum of Art, Cleveland · as of July 2026

View at clevelandart.org ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Mushfiq

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Zulaykha in her palace and as an old woman with Joseph, fromZulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)Zulaykha in her palace and as an elderly woman with Joseph (Folio B: Folio from the "Five Treasures" (Panj Ganj) of Jami (recto)Folio B: Folio from the "Five Treasures" (Panj Ganj) of JamiIlluminated page (verso), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Illuminated page (verso), from a Panj Ganj (Five Treasures) Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)Page from the Panj Ganj (Five Treasures) of Abd al-Rahman JaPage from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso)Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami

More like this

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second NightKaiwan, Latif, and Sharif arrive at a house of worship, wherPrince Visiting an Ascetic during a HuntIndia Kashmir — Prince Visiting an Ascetic during a HuntZal Climbing to Rudaba, page from a copy of the Shahnama of FirdausiIslamic — Zal Climbing to Rudaba, page from a copy of the ShThe three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth NightThe three young men present themselves as suitors for the haThe court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth NightThe court of the Raja of Ujjain, from a Tuti-nama (Tales of The Birth of Rustam, page from a copy of the Shahnama of FirdausiIslamic — The Birth of Rustam, page from a copy of the ShahnThe old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth NightSravana (Indian) — The old procuress conveys the young man’sGarden SceneIslamic — Garden SceneJudge (Qazi) of Hamadan in a Drunken State, a scene from the Gulistan of Sa'diUzbekistan Bukhara — Judge (Qazi) of Hamadan in a Drunken StCourtyard of a PalaceIslamic — Courtyard of a PalaceEuropean Costume SceneEuropean Costume SceneFarhad Carrying Shirin and Her Horse, from a copy of the Khamsa of NizamiIslamic — Farhad Carrying Shirin and Her Horse, from a copy