Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In book 5 of the Iliad , Homer tells the ancient Greek myth of Ares, god of war, captured by the giants Otos and Ephialtes: “Ares suffered when . . . the sons of Aloeus imprisoned [him] in a vessel of bronze. Ares would have perished had not fair Eeriboia, stepmother of the sons of Aloeus, told Hermes, who stole him away when he was already worn out by the severity of his bondage.” Fuseli, who was a scholar as well as an artist, delighted in flaunting his classical learning. In the background, Hermes lifts the exhausted Ares, whose elegant pose Fuseli appropriated from one of Michelangelo’s late drawings, a study for the Colonna Pietà .
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The Night-Hag Visiting Lapland Witches
Two Heads of Damned Souls from Dante's "Inferno" (front and
Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
Study for Inquisition, Illustration to Columbiad
Hagen and the Nymphs of the Danube
Prospero, Miranda, Caliban and Ariel
Circle of Henry Fuseli — One Cycle of Hell
Raymond de Lafage — Sketches of Six Classical Figures
Frederick Christian Lewis — The Dance of the Nymphs, from Th
Unknown artist — Group of Figures
David Wilkie — Sketch from the Escurial
John Bacon, the elder — Project for a Tomb, Three Figures an
John Hamilton Mortimer — Male Nude and Other Figures
John Flaxman — Figures
George Romney — Prospero, Miranda, and Caliban, from The Tem
Mauritius Lowe — An Allegory of Birth (recto); Cupid and Psy
Eugène Delacroix|Raphael (Raffaello Sanzio or Santi) — Battl
Jean Louis André Théodore Géricault — Sketches of a Cavalry