Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
All the formulae that would come to define Fuseli’s unique style are already present in this extremely accomplished early drawing: the stage-like setting and dramatic gestures that reveal the influence of the theater; a powerful use of line and contour; extreme contrasts of dark and light; and heroic physiques influenced by ancient sculpture and Michelangelo. The subject is from Edmund Spenser’s epic poem The Faerie Queene (published 1590). It depicts the temptation of suicide offered by Despair, who bends over his latest victim. The Red Cross Knight, the hero of book 1, stands with Una, symbol of Truth, at the mouth of the cave.
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The Night-Hag Visiting Lapland Witches
Two Heads of Damned Souls from Dante's "Inferno" (front and
Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
Study for Inquisition, Illustration to Columbiad
Hagen and the Nymphs of the Danube
Prospero, Miranda, Caliban and Ariel
Jean Bernard Restout — Martyrdom of Saints Processus and Mar
Henry Fuseli (Swiss, 1741–1825) — Satan Starts from the Touc
James Jefferys — Nude Male Figures Bearing the Bodies of the
Giovanni Battista Tiepolo — Time Seated, Clutching a Putto
Pietro Testa|Vicenzo Billi — The Suicide of Dido
Giovanni Domenico Tiepolo — Christ Crowned with Thorns
Leonardo Alenza y Nieto — Long Live the Chains! ("Vivan las
Peter Paul Rubens|Anthony van Dyck — Martyrdom of Saint Lawr
Lovis Corinth (German, 1858–1925) — Theseus and Ariadne
Jean-Honoré Fragonard (French, 1732–1806) — Orpheus and Eury
Giovanni Domenico Tiepolo — Venice Receiving Neptune's Homag
Giovanni Battista Tiepolo — Apotheosis of a Warrior