● On view now — Collection Gallery, Room 02, West Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Mont Sainte-Victoire, which towered over the Aix-en-Provence region of southern France, was one of Cézanne's favorite motifs. He spent his childhood exploring its terrain, and he painted it several dozen times from different vantage points. The mountain also held symbolic meaning to the artist, representing the ancient countryside—the authentic France—during a moment of rapid industrialization and modernization. On the right side of the canvas, one can just make out an ancient Roman aqueduct.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cezanne (French, 1839–1906) — Mount Sainte-Victoire
Pierre-Auguste Renoir — Montagne Sainte-Victoire (Paysage)
Paul Cezanne — The Bay of Marseille, Seen from L'Estaque
Paul Cezanne (French, 1839–1906) — The Pigeon Tower at Belle
Henri Matisse — The Sea Seen from Collioure (La Mer vue de C
Paul Cezanne — Auvers, Panoramic View
Pierre-Auguste Renoir — Dovecote at Bellevue (Pigeonnier de
Alexis Gritchenko — Mistra
Camille Pissarro — Landscape
Pierre-Auguste Renoir — Landscape
Pierre-Auguste Renoir — View From Montmartre (Vue de Montmar