Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Responding to the desires of the middle class ( chonin ), some Japanese painters of the late Edo period moved away from the seriousness associated with the Chinese theme of reclusion, focusing instead on the motif’s humorous aspects. The theme Eight Immortals of the Wine Cup is based on a poem by the renowned 8th-century Chinese poet Du Fu about his eight colleagues. These scholars eagerly sought release from their official governmental duties and then supposedly fled the capital for the countryside. There, they engaged in wildly eccentric behavior and adventurous creative work, all fueled by copious amounts of wine. Shohaku’s version of events exaggerates the scholars’ pleasure, as seen in their comical facial expressions.
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祇園大鳥居屏風|The Torii Gate of Gion Shrine
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Hishikawa Moronobu — A Passing Palanquin, from the series "S
Kusumi Morikage (Japanese, active c. 1620–1690) — Emperor Ya
Chogaku — Celebration: Bunraku chanter takes a new stage nam
Maruyama Ōshin — 円山応震筆 子供遊び図屏風|Children Playing in Summer an
Scenes from the Tale of Genji
Katsushika Hokusai — Hakone, from the series "Fifty-three St
Unidentified artist — 秋夜長物語絵巻断簡|The Final Scene from A Long
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming
Maruyama Ōkyo (Japanese, 1733–1795) — Literary Gathering in
Famous Views of Ōmi