Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Soga Shōhaku used a wide format here to depict a school of salmon swimming along the current of a stream or river, with the fish looping in front of the viewer before heading off into the distance. The farther away they appear to be, the more abbreviated they become, enhancing the sense of their speed. In the 18th century, Japanese artists increasingly relied on shasei (sketches) drawn from direct observation to conceive their compositions. They also began to use shasei as the basis for large-scale works such as screens, sliding doors, and hanging scrolls like this one.
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Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Tawaraya Sōtatsu — 俵屋宗達工房 大原御幸図屏風|Royal Visit to Ōhara, from
Hon'ami Kōetsu|Tawaraya Sōtatsu — 本阿弥光悦書・俵屋宗達下絵 小倉百人一首和歌巻断簡|
舞楽図巻|Bugaku Imperial Court Dance
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Sesshū Tōyō (Japanese, 1420–1506) — Birds and Flowers in a L
Kano Naonobu (Japanese, 1607–1650) — Winter Scene with Plum
Shōkadō Shōjō
Maruyama Ōkyo 円山応挙 — 円山応挙筆 白鷺図|White Herons
Kano Motonobu (Japanese, c. 1476–1559) — Rocks and Waves
Yi Sumun (Korean, b. c. 1404) — Landscape of the Four Season