Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Responding to the desires of the middle class ( chonin ), some late Edo period Japanese painters moved away from the seriousness associated with the Chinese theme of reclusion, focusing instead on the motif’s humorous aspects. The theme Eight Immortals of the Wine Cup is based on a poem by the renowned 8th-century Chinese poet Du Fu about his eight colleagues. These scholars eagerly sought release from their official governmental duties and then supposedly fled the capital for the countryside. There, they engaged in wildly eccentric behavior and adventurous creative work, all fueled by copious amounts of wine. Shohaku’s version of events exaggerates the scholars’ pleasure, as seen in their comical facial expressions.
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Unkoku Tōgan (Japanese, 1547–1618) — Su Shi (So Shoku) and P
Festival Scenes
Kano Tan’yū (Japanese, 1602–1674) — Seven Sages of the Bambo
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming
Kano Shōei (Japanese, 1519–1592) — The Four Accomplishments
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming
Seven Jeweled Mountain
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming
Maruyama Ōkyo (Japanese, 1733–1795) — Literary Gathering in
Horse Race at the Kamo Shrine
Scenes from the Tales of Ise
Noguchi Shohin — The Gathering at the Orchid Pavilion (front