Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This painting was part of a set of album leaves representing the Eight Views of Xiao-Xiang, a theme originating in Chinese poetry and painting that spread to both Korea and Japan. Southern China’s Xiao-Xiang area, where the mist-covered banks of the Xiang River created a complex landscape shifting like the moods and minds of people, captured the imaginations of generations of painters and calligraphers. Inscriptions on these works suggest that they were possibly ordered by newly prominent Japanese Confucian scholars.
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Zhang Xiong — 清 張熊 山水 冊頁|Landscape
Zha Shibiao (Chinese, 1615–1698) — Landscape Album in Variou
Wang Hui|Unidentified artist — 清 王翬 玉峰看月圖 軸|Landscape: Eve o
Yosa Buson — 与謝蕪村筆 浅絳山水図|Landscape in Light Colors
Zha Shibiao (Chinese, 1615–1698) — Landscape Album in Variou
Yun Xiang — 明/清 惲向 仿古山水圖 冊 紙本|Landscapes after old masters
Gion Nankai (Japanese, 1677–1751) — Landscape
Lan Ying — Landscape in the Style of Ancient Masters: Artist
Shen Zhou (Chinese, 1427–1509) — The Five Sages Terrace, fro
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Wang Yuanqi — Landscape
Kuncan (Chinese, 1612–c. 1673) — Spring Landscape