Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This painting was part of a set of album leaves representing the Eight Views of Xiao-Xiang, a theme originating in Chinese poetry and painting that spread to both Korea and Japan. Southern China’s Xiao-Xiang area, where the mist-covered banks of the Xiang River created a complex landscape shifting like the moods and minds of people, captured the imaginations of generations of painters and calligraphers. Inscriptions on these works suggest that they were possibly ordered by newly prominent Japanese Confucian scholars.
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Kano Motonobu (Japanese, c. 1476–1559) — Landscape
Sōami
Zhai Dakun (Chinese, d. 1804) — Landscape
Yoshitsugu Haizan (Japanese, 1846–1915) — Painting Twelve fr
Ike Taiga (Japanese, 1723–1776) — West Lake
Sheng Mou (Tzu-chao) (Chinese, active c. 1330–1369) — Visiti
Kano Chikanobu (Japanese, 1660–1728) — Chinese Landscape
Sōami — 相阿弥筆 山水図|Landscape
Sōami
Zhai Dakun (Chinese, d. 1804) — Landscape
Lan Ying — Landscape in the Style of Ancient Masters: after
Okada Hankō