Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This painting was part of a set of album leaves representing the Eight Views of Xiao-Xiang, a theme originating in Chinese poetry and painting that spread to both Korea and Japan. Southern China’s Xiao-Xiang area, where the mist-covered banks of the Xiang River created a complex landscape shifting like the moods and minds of people, captured the imaginations of generations of painters and calligraphers. Inscriptions on these works suggest that they were possibly ordered by newly prominent Japanese Confucian scholars.
Be the first to share your thoughts.
Sign in to join the discussion.
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Wang Jian
Sheng Mou (Tzu-chao) (Chinese, active c. 1330–1369) — Visiti
Zhai Dakun (Chinese, d. 1804) — Landscape
Kano Motonobu (Japanese, c. 1476–1559) — Landscape
Sesson Shūkei — 雪村周継筆 山水図|Landscape with Rocky Precipice
Zha Shibiao (Chinese, 1615–1698) — Landscape Album in Variou
Gu Chao (Chinese, active late 1700s) — Pine-shaded Monastery
Zhang Xiong — 清 張熊 山水 冊頁|Landscape
Zhai Dakun (Chinese, d. 1804) — Landscape
Fan Qi — 清 樊圻 為玉翁作山水圖 冊|Landscapes Painted for Yuweng
Hine Taizan — 日根対山筆 「林塘秋暇」|“At leisure in a lakeside grove i
