Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This painting was part of a set of album leaves representing the Eight Views of Xiao-Xiang, a theme originating in Chinese poetry and painting that spread to both Korea and Japan. Southern China’s Xiao-Xiang area, where the mist-covered banks of the Xiang River created a complex landscape shifting like the moods and minds of people, captured the imaginations of generations of painters and calligraphers. Inscriptions on these works suggest that they were possibly ordered by newly prominent Japanese Confucian scholars.
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Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Zhai Dakun (Chinese, d. 1804) — Landscape
Kano Motonobu (Japanese, c. 1476–1559) — Landscape
Sheng Mou (Tzu-chao) (Chinese, active c. 1330–1369) — Visiti
Zhai Dakun (Chinese, d. 1804) — Landscape
Kuncan (Chinese, 1612–c. 1673) — Spring Landscape
Tan Song — 清 譚嵩 倣郭熙山水圖 軸|Landscape in the Style of Guo Xi
Wang Hui|Unidentified artist — 清 王翬 玉峰看月圖 軸|Landscape: Eve o
Okada Hankō
Noro Kaiseki
Gu Chao (Chinese, active late 1700s) — Pine-shaded Monastery
Hine Taizan — 日根対山筆 「林塘秋暇」|“At leisure in a lakeside grove i
