Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Michelangelo was among the first artists in Europe to attend a human dissection and to adopt anatomical knowledge as a necessity for depicting the human figure. These drawings of anatomically accurate skeletons by Battista Franco reflect the increased—and slightly macabre—interest in the interior workings of the human body inspired in part by Michelangelo’s example.
Be the first to share your thoughts.
Sign in to join the discussion.
Half Figure of a Youth with Outstretched Left Arm and Bowed
The Entombment
St. Jerome
The Entombment of Christ
Six Animals, including lions, a tiger, a leopard, a griffin,
Two Angels or Winged Genii Carrying Torches
Fortitude and Justice, an allegorical composition in round f
The Adoration of the Shepherds with angels overhead
Battista Franco (Italian, 1498?–1561) — Half-Length Skeleton
Bartolommeo da Arezzo (Italian, active about 1550–80) — Two
Battista Franco — Skull in Profile
Domenico del Barbiere — Two Flayed Men and Their Skeletons
Bartolommeo da Arezzo (Italian, active about 1550–80) — Two
Central Italian — Studies of the Leg of a Man and a Horse's
Michelangelo Buonarroti (Italian, 1475–1564) — Figure Studie
Sketches of Horses and Riders (recto); Sketches of Horses (v
Sketch of Two Men and Other Various Figures (verso)
Luzio Romano (Italian, active 1528–75) — Sketches of Five Ar
Bartolommeo da Arezzo (Italian, active about 1550–80) — Stud
Circle of Titian — Écorché before Landscape (recto); Sketche