Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel. This preparatory study portrays one of the 20 athletic male nudes, known as ignudi, who serve as supporting figures at each corner of the Old Testament scenes painted down the center of the ceiling. Michelangelo worked out the positioning of the ignudi in red chalk drawings before beginning to paint each section of wet plaster. The energy and monumentality of the figure in red chalk, whose body extends beyond the sheet, suggests the heroic athleticism of Michelangelo’s sculpture.
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Left Hand of Moses
Studies for the Libyan Sibyl (recto); Studies for the Libyan
Study for the Nude Youth over the Prophet Daniel (recto)
Study for the Nude Youth over the Prophet Daniel (recto); Fi
Two Struggling Figures
Seated Male Nude
Ascending Male Nude
Study of Figures from Michelangelo's Last Judgment, Sistine
Jacob de Gheyn II (Netherlandish, 1565–1629) — Studies of a
Sketch of Two Men and Other Various Figures (verso)
Battista Franco (Italian, c. 1510–1561) — Torsos with Rib Ca
Simone Cantarini — Sketches of Male Nudes, Legs (recto); Ske
Style of Donato Creti — Sketches of Two Male Heads in Profil
Nicolas Poussin (French, 1594–1665) — Three Heads and Other
Italian
Late 16th Century — Sketches of Arms, Male Torso, an
Correggio (Italian, 1489?-1534) — Study of a Fallen Soldier
Cecco Bravo (Italian, 1607–1661) — Study of a Standing Male
Style of Agostino Masucci — Sketches of Head, Hands, Shoulde
Taddeo Zuccaro — Three Figures Supporting a Man, Smaller Ske
Camillo Procaccini (Italian, 1546–1629) — The Transfiguratio