Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Luzio Romano’s drawing of arms and a head were made from a flayed body (a cadaver with its skin removed). The triangle placed over the facial profile points to the Renaissance artist’s interest in geometry and to the idea that the human body is the primary model of perfect proportions.
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Several Line Borders (verso)
Architectural Plan (verso)
Design for Two Vases and an Ornament (recto); Sketches of Fi
Border Lines (verso)
Design for a Crozier
Design for Two Vases, Two Coats of Arms, and a Bull (recto) 
Design for Two Vases, Two Coats of Arms, and a Bull (recto)
Design for Decorative Hinges (recto)
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Giovanni Larciani ("Master of the Kress Landscapes") — Studi
Central Italian — Studies of the Leg of a Man and a Horse's 
Anonymous, Italian, 16th to early 17th century — Study of An
Santi di Tito — Two Studies of a Man
Alphonse Legros — Torso of the Belvedere
Sketches of Heads and Figures
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Giacomo Zoboli — Double-sided Sheet of Figural Studies: (rec
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Jean Auguste Dominique Ingres — Study of a Seated Nude Male
Edgar Degas — Standing Nude Youth, with right arm raised