Anonymous, Italian, Piedmontese, 18th century

Two alternate Designs for a frame of door

1700–1780
Pen and brown ink, brush and gray wash over leadpoint, with ruled and compass construction
29.7 × 19 cm (11.7 × 7.5 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Anonymous, Italian, Piedmontese, 18th century

Design for the Corner of a CoveDesign for the Corner of a CoveDesign for Corner of Painting Ceiling with architectural perspectiveDesign for Corner of Painting Ceiling with architectural perTwo  Alternate Elevations for an Interior WallTwo Alternate Elevations for an Interior WallDesign for One Eighth of an Illusionistic Ceiling of a DomeDesign for One Eighth of an Illusionistic Ceiling of a DomeTwo projects for stucco for an italian ceiling.Two projects for stucco for an italian ceiling.Design for One Half of an Altar, with an Angel (of the Annunciation) at the leftDesign for One Half of an Altar, with an Angel (of the AnnunDesign for the Corner of a CeilingDesign for the Corner of a CeilingDesign for a Painted Wall Decoration: Architectural Perspective Seen Through an ArchDesign for a Painted Wall Decoration: Architectural Perspect

More like this

Design for a LecternAnonymous, Italian, 16th century — Design for a LecternDesign for an Epitaph with a Variant, flanked by Terms and surmounted by statues of CherubsAbraham van Diepenbeeck — Design for an Epitaph with a VariaDesign for a FaçadeAnonymous, Italian, Bolognese 18th century artist — Design fOrnamental Design for NicheLeonardo Marini — Ornamental Design for NicheDesign for a Decorated Ceiling with Statues and StuccoVittorio Maria Bigari — Design for a Decorated Ceiling with Design for a FireplaceAnonymous, French, 17th century|Salomon de Brosse|Jean BarbeDesign for an Epitaph surmounted by a Statue of the Virgin and ChildAnonymous, Flemish — Design for an Epitaph surmounted by a SDesign for an AltarAnonymous, Flemish, 17th century — Design for an AltarDesign for Plasterwork CartoucheAnonymous, Italian, Bolognese 18th century artist — Design fDrawing for a Wall-DecorationGiovanni Larciani ("Master of the Kress Landscapes") — DrawiDesign for a Reredos or Frame and Setting for an Altar PaintingPomarancio (Cristoforo Roncalli) — Design for a Reredos or FDesigns for an Overdoor Decoration (recto);  Various Sketches (verso)Anonymous, Italian, Bolognese, 18th century — Designs for an