Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
According to Roman Catholic theology, the Assumption is the movement of the Virgin Mary's body and soul into heaven. Thus the central figure of the Virgin dominates this scene of the Assumption, outstretching her arms and supported by two angels as she ascends into heaven. Below, saints surround the Virgin's tomb. St. Peter reaches for the foot of the ascending Virgin, suggesting a connection between heaven and earth. Giovanni Battista Piazzetta created this work as a sketch for his larger altarpiece commissioned in 1743 for the Church of St. James in Zbraslav, near Prague. The Assumption of the Virgin is a rare oil sketch by Piazzetta, and the larger composition adheres closely to this model. One difference between the sketch and the altarpiece is that the saints are illuminated more in the preliminary work. A divine light shines on the faces of the Virgin and the figures below her. Above the other figures, the Virgin appears remote and focuses on heaven as she looks upwards and beyond the painting's borders. The grouping of the figures in the center of this painting creates a vast surrounding space which fittingly gives this altarpiece sketch a sense of monumentality.
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Sebastiano Ricci (Italian, 1659–1734) — Study for "An Apothe
Franz Anton Maulbertsch (Austrian, 1724–1796) — Study for "T
Giovanni Battista Pittoni (Italian, 1687–1767) — Saints Pres
Pompeo Batoni (Italian, 1708–1787) — The Fall of Simon Magus
The Glorification of Saint Dominic
Giulio Cesare Procaccini — The Ecstasy of the Magdalen
Peter Paul Rubens|Ignatius Cornelis Marinus — Reproductive P
François Guillaume Ménageot — The Virgin Placing St. Teresa
Christ Triumphant Appearing to an Interceding Saint
Jean Daret — The Risen Christ between the Virgin and St. Jos