● On view now — Gallery 217
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of Venice’s leading painters, Giovanni Battista Piazzetta transformed the gritty realism and dramatic light effects of earlier Baroque painting into his own poetic style. This is one of two paintings of life-size, rustic figures that Piazetta made for his patron, Field Marshall Johann Matthias von der Schulenberg. Their meaning remains mysterious. The half-naked boy holding a basket of grapes has been interpreted as the infant Bacchus, the god of wine, although Piazzetta made no reference in his description of the work to a symbolic meaning. The artist was probably responding to his patron’s taste for pastoral scenes, a genre that appealed to middle- and upper-class city dwellers for its idealized views of rural life.
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Ferdinand Bol — Venus and Adonis
Francesco de Mura — Charity
Peter Paul Rubens — The Holy Family with Saints Elizabeth an
Jacob Gerritsz Cuyp — The Shepherdess
Jan Lievens — Allegory of Peace
Charles Poërson (French, 1609–1667) — Rest on the Flight int
Herman van der Mijn — A Woman with a Dog
Nicolaes Pietersz Berchem — Italian Landscape
Pieter Bodding van Laer — A Shepherd and Washerwomen at a Sp
Simon van der Does — Shepherdess Reading
Carlo Cignani — Charity
Angelica Kauffmann — Mrs. Hugh Morgan and Her Daughter