Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Pompeo Girolamo Batoni crafted a complex mythological scene in this small-scale work, most likely a preparatory sketch for a larger, unexecuted or unknown painting. Father Time pulls aside a large swath of drapery to reveal Truth at the center of the composition, radiating revelatory light from the sun. The figures of Envy, winged and wearing a mask, and Discord, with a writhing tail, lurk in the shadow to the right. Beside Truth stands Justice, holding the pair of scales that signals her impartiality. Last, in the lower right, the personifications of Painting, Sculpture, and Architecture hold the tools of their trades.
Be the first to share your thoughts.
Sign in to join the discussion.
Giovanni Domenico Ferretti — Sketch for a Ceiling Fresco
Antonio González Velásquez, I — Saint James's Vision of the
Giovanni Battista Tiepolo — The Apotheosis of the Spanish Mo
Corrado Giaquinto — The Penitent Magdalen
Giovanni Battista Tiepolo — Allegory of the Planets and Cont
Giovanni Domenico Tiepolo — The Sacrifice of Isaac
Juan de Valdés Leal (Spanish, 1622–1690) — Study for "The As
Sebastiano Ricci (Italian, 1659–1734) — Study for "An Apothe
Nicolas Poussin — The Agony in the Garden
Peter Rubens — The Incarnation as Fulfillment of All the Pro
Pierre Charles Jombert — The Punishment of the Arrogant Niob
Jacob de Wit — Allegory of the Arts