In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint Ulrich, Vienna. Mary and Joseph have brought the infant Jesus to the temple to be inducted into the Jewish faith; the aged priest Simeon cradles the infant in his arms, turning his gaze to heaven as he realizes that he is holding the Son of God. Strong contrasts of light and shadow underscore the drama of the moment. The frame is not original to this painting, but was made by an Austrian craftsman in the mid-1700s. Its florid style suits Maulbertsch’s flickering brushwork, and reflects the tradition of wood sculpture from Central Europe seen in other objects in the CMA's collection.
Be the first to share your thoughts.
Sign in to join the discussion.
Bernardo Cavallino (Italian, 1616–1656) — Adoration of the S
Giovanni Battista Piazzetta (Italian, 1682–1754) — Sketch fo
Sebastiano Ricci — Adoration of the Magi
Carlo Dolci (Italian, 1616–1687) — Adoration of the Shepherd
Abraham Daniëlsz. Hondius — The Adoration of the Shepherds
Giovanni Battista Tiepolo — The Adoration of the Magi
Abraham Hondius — Christ among the Doctors
Pier Francesco Mazzucchelli, called Morazzone — The Adoratio
Francesco Trevisani (Italian, 1656–1746) — Presentation Sket
François Boucher (French, 1703–1770) — The Presentation in t
Vicente López Portaña — Presentation of Christ in the Temple
Sebastiano Conca — The Adoration of the Shepherds
