Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Fuseli lived in Rome from 1770 to 1778. It was there that Michelangelo became his great hero and role model, and where Fuseli developed his own Michelangelesque style of drawing. Although this rapid sketch—a study of one of the male nudes ( Ignudi ) by Michelangelo in the Sistine Chapel—was probably made well after he had returned to England, Michelangelo’s art informed Fuseli’s work throughout his life.
Be the first to share your thoughts.
Sign in to join the discussion.
The Night-Hag Visiting Lapland Witches
Two Heads of Damned Souls from Dante's "Inferno" (front and
Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
Study for Inquisition, Illustration to Columbiad
Hagen and the Nymphs of the Danube
Prospero, Miranda, Caliban and Ariel
Sir Edward Burne-Jones — Study for Cupid
Auguste Rodin (French, 1840–1917) — The Genius of the Sculpt
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Central Italian — Studies of the Leg of a Man and a Horse's
Antonio Canova|Anonymous, Italian, early 19th century — Stan
Jacopo Negretti, called Palma Giovane — Studies for the Crow
Follower of Michelangelo Buonarroti — Male Figure Study, wit
Jules-Élie Delaunay — Male Figure Kneeling
John Downman — Torso of Ancient Statue
Charles Despiau — Zittend mannelijk naakt, van voren
Edgar Degas — Standing Nude Youth, with right arm raised