Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Many of the formulae of Fuseli’s idiosyncratic style are present in this powerful drawing: a stage-like setting, extreme contrasts of light and dark, exaggerated gestures, and dramatic foreshortening. All of these are combined in a drama of mythical intensity rendered in boldly applied washes. The dead Achilles fills the foreground, sprawled upon his shield. His mother, the goddess Thetis, emerges from a rocky outcropping at right, her arms spread in grief. In the distance, the airborne hero’s spirit rides his shield to the afterlife. One of the three Greek inscriptions Fuseli included on the sheet is from Homer’s Odyssey: “And thou in the whirl of dust didst lie mighty in thy mightiness.”
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Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
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John Flaxman — Achilles and the Shade of Patroclus
Guercino (Italian, 1591–1666) — Venus and Cupid in a Chariot
Michelangelo Buonarroti|Francesco Bartolozzi — Prometheus, n
Giovanni Battista Tiepolo (Italian, 1696–1770) — The Last Co
Christian Wilhelm Ernst Dietrich (German, 1712–1774) — St. W
Benjamin West — Joseph and Patiphar's Wife
Jean-Honoré Fragonard (French, 1732–1806) — Saint Jerome
Benedetto Luti — Saint Benedict on a Bed of Thorns