Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of the most original and probing artists of the late 18th century, Fuseli worked principally in London but went to Rome for eight years beginning in 1770. The influence of Michelangelo’s prophets and sibyls is tangible in this allegorical figure, probably drawn in London a decade after he left Rome; at this time Fuseli had recently met William Blake, who treated a similar subject in his Book of Job .
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The Night-Hag Visiting Lapland Witches
Two Heads of Damned Souls from Dante's "Inferno" (front and
Milton Dictating to His Daughter
Perseus Starting from the Cave of the Gorgons
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch
Study for Inquisition, Illustration to Columbiad
Hagen and the Nymphs of the Danube
Prospero, Miranda, Caliban and Ariel
David Wilkie — Sketch from the Escurial
Frederic, Lord Leighton|Romain Cazes — Study of a Woman and
Andrea Sacchi — Abraham Dismissing Hagar
Peter Paul Rubens — Presentation in the Temple
Edward Burne-Jones (British, 1833–1898) — Study for the Fail
Rembrandt (Rembrandt van Rijn) — Beggar Seated Warming His H
William Young Ottley — Vision of the True Cross Appearing to
Jacques Bellange — Standing Man with a Putto
Jusepe de Ribera (Spanish, 1591–1652) — Virgil
Heinrich Friedrich Füger — Belisarius Begging for Alms
Ferdinand Bol (Dutch, 1616–1680) — The Healing of Tobit (ver
Pierre Hubert Subleyras — St. Benedict Resuscitating an Infa