Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This scene stems from Ludovico Ariosto’s (1474–1533) 16th-century best-seller Orlando Furioso , an epic poem in which Princess Angelica falls in love with Medoro, a soldier she nurses back to health. They are shown here declaring their union by carving their names “on every stone or shady tree.” Like the poet Ariosto, who updated a medieval chivalric story with classical themes, Teodoro and his brother, Giorgio, portrayed the lovers in the popular antique style.
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Giorgio Ghisi|Teodoro Ghisi — Angelica and Medoro; the coupl
Giorgio Ghisi — Angelica and Medoro
Marco Dente (Italian, c. 1486–1527) — Venus Wounded by a Ros
Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Mar
Giorgio Ghisi|Teodoro Ghisi — Venus and Adonis
Giorgio Ghisi|Luca Penni — Venus pricked by the thorns on a
Albrecht Dürer — Hercules at the Crossroad
Albrecht Dürer — Hercules at the Crossroad
Albrecht Dürer — Hercules at the Crossroad
Albrecht Dürer — Hercules at the Crossroad
Cornelis Cort|Titian (Tiziano Vecellio) — Diana Discovering
Albrecht Dürer — Hercules at the Crossroads (Jealousy)