Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This seemingly macabre print haunted by symbols of death—skeletons, tombs, and decaying corpses—actually refers to the Christian belief in resurrection and eternal life. In the Bible’s Old Testament, the prophet Ezekiel describes being transported in a vision to a valley full of dry bones, where he receives a revelation from God that the dead shall come back to life. God’s words are inscribed in the banderole held aloft by the winged cherubs. Giorgio Ghisi based this ambitiously large print on a design by his friend Giovanni Battista Bertani, court artist to the Dukes of Mantua in Italy.
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Giorgio Ghisi|Giovanni Battista Bertano — The Vision of Ezek
Giorgio Ghisi|Giovanni Battista Bertano|Giovanni Giacomo De
Giorgio Ghisi|Giovanni Battista Bertano|Cristoforo Bianchi —
Georg Pencz — The Triumph of Death on Time, from The Triumph
Georg Pencz — The Triumph of Death on Time, from The Triumph
Albrecht Altdorfer — The Resurrection
Jacques Callot|Domenico Cresti Passignano — The Martyrdom of
Agostino Veneziano (Italian, 1490–1540) — Skeletons, also kn
Jean Duvet (French, 1485–1561) — The Apocalypse: A Star Fal
Agostino Veneziano (Agostino dei Musi)|Rosso Fiorentino — Sk
Hieronymus (Jerome) Wierix|Ambrosius Francken I — Old Age (N
Wenceslaus Hollar|Hans Holbein the Younger — Paradise Lost,