● On view now — 101A Prints & Drawings
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands. There he worked with Hieronymus Cock (about 1510–1570), founder of the largest and best-known print publishing establishment in northern Europe, called The Four Winds. This print reproduces a painting of similar size by the artist Agnolo Bronzino (1513–1572), painted in the late 1530s for Filippo d'Averardo Salviati of Florence. Making a print based on a work belonging to a private individual was an unusual practice during the 16th century.
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Cristofano Robetta (Italian, 1462–1534) — Adoration of the M
Francesco Rosselli (Italian, 1448-about 1513) — The Assumpti
Albrecht Dürer (German, 1471–1528) — Life of the Virgin: As
Hans Burgkmair (German, 1473–1531) — The Holy Family with St
Albrecht Dürer — The Holy Family with Two Angels in a Vaulte
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio —
Albrecht Dürer — Saint John before God and the Elders, from
Guido Reni|Anonymous, 17th century|Mariette — The Holy Famil
Allaert Claesz. (Netherlandish, active c. 1520–26) — The Nat
Albrecht Dürer (German, 1471–1528) — The Assumption and Coro
Albrecht Dürer (German, 1471–1528) — Apocalypse: The Adorati
Albrecht Dürer — Assumption and Coronation of the Virgin, fr