Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Giorgio Ghisi’s detailed reproductions helped make Michelangelo’s frescoes, like Raphael’s, some of the best-known High Renaissance monuments, despite their restricted location. As the Sistine Chapel ceiling was too large to include on one sheet, Ghisi produced a series of oversize engravings of seven prophets and five sibyls. Ghisi’s rendition of the Delphic sibyl in an architectural framework is significantly smaller than the actual painting. The spurious 1540 date at lower right may have been added by the print’s publisher, Nicolas van Aelst, to suggest Ghisi’s images of the chapel appeared earlier than other available reproductions.
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Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi|Michelangelo Buonarroti — The Delphic Sibyl; f
Giorgio Ghisi|Michelangelo Buonarroti — The Eritrean Sibyl;
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi (Italian, 1520–1582) — The Prophet Joel
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi|Michelangelo Buonarroti|Pietro Facchetti — The
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T
Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst — T