Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Renaissance humanists were fascinated by antiquity— its mythic heroes, surviving architecture, coins, and sculpture. Noblemen even demanded that the historians inflating their family trees make them stretch all the way back to Hercules and other demigods. Historical figures were occasionally given mythological nicknames, like the Protestant reformer Martin Luther, who was sometimes known by his supporters as the “German Hercules.” These two Hercules prints by Albrecht Dürer fed the fascination with this hero’s legendary strength, dogged perseverance in the 12 Labors, and tragic, inescapable fate.
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Albrecht Dürer (German, 1471–1528) — Hercules at the Crossro
Cornelis Cort — Adam and Eve and the Expulsion from Paradise
Lucas Cranach the Elder — The Judgment of Paris
Marco Dente (Italian, c. 1486–1527) — Venus Wounded by a Ros
Lucas Cranach the Elder — The Judgment of Paris
Giorgio Ghisi|Luca Penni — Venus pricked by the thorns on a
Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Mar
Marcantonio Raimondi — Mars, Venus and Cupid
Hieronymus Hopfer (German) — Judgment of Paris
Giorgio Ghisi (Italian, 1520–1582) — Angelica and Medoro
Marcantonio Raimondi — Mars, Venus, and Cupid
Marco Dente|Francesco Villamena|Raphael (Raffaello Sanzio or