● On view now — 101A Prints & Drawings
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This allegory of injustice, popular with Renaissance artists for its moral content, is based on a written description of a lost painting by the ancient Greek artist Apelles. An enthroned judge with large ears is flanked by Suspicion and blindfolded Ignorance. He extends a hand to Calumny (Slander), who, helped by Envy, drags a young man by the hair into court. This youth protests his innocence to Truth and Time, who descend on a cloud to reveal Calumny’s lies and vindicate the accused. Deceit stands behind Calumny with a large net, while Repentance casts an apologetic glance toward Truth from beside the window.
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Giorgio Ghisi|Luca Penni — The Calumny of Apelles
Giorgio Ghisi|Luca Penni — The Calumny of Apelles
Andrea Andreani (Italian, about 1558–1610) — Mucius Scaevola
Zacharias Dolendo (Dutch, 1561–1604) — Passion Set: Christ
Dirck Volckertsz Coornhert|Maarten van Heemskerck — Solomon
Master FG|Giulio Bonasone — Rome emperor on a throne, vestal
Girolamo Macchietti|Matthaeus Greuter — Christ presented to
Master of the Die|Antonio Salamanca|Michiel Coxie (I) — Plat
Agostino Veneziano (Agostino dei Musi)|Baccio Bandinelli — C
Giovanni Jacopo Caraglio|Parmigianino (Girolamo Francesco Ma
Heinrich Aldegrever (German, 1502–1555/61) — The Story of Su
Master of the Die|Antonio Salamanca|Michiel Coxie (I) — Plat