● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These four panels , together with another one depicting the Resurrection (Metropolitan Museum of Art, New York), once constituted a predella—a series of small pictures, often narrative scenes, forming the base of an altarpiece. These predella scenes depict moments when Jesus’s divine nature was revealed: at his birth, at his baptism, during his conversation at a well with a Samarian woman, at his res-urrection, and through his appearance to Mary Magdalene after his resurrection. The painting that once surmounted the predella as the focal point of the altarpiece has not been identified.
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Adoration of the Shepherds
Giovanni di Paolo (Giovanni di Paolo di Grazia) — The Adorat
Gerard David — The Nativity with Donors and Saints Jerome an
Lorenzo Monaco (Piero di Giovanni) — The Nativity
Puccio di Simone — The Nativity
Catena (Vincenzo di Biagio) — The Adoration of the Shepherds
Girolamo da Carpi (Girolamo Sellari) — The Adoration of the
Marcellus Coffermans — The Adoration of the Shepherds
Adoration of the Shepherds
Antoniazzo Romano (Antonio di Benedetto Aquilio) — The Nativ
Francesco Granacci (Francesco di Andrea di Marco) — Scenes f
Fra Bartolommeo — The Nativity