● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
To develop his own intimate style, Fra Bartolommeo looked to the most lyrical and harmonious paintings of his fellow artists working in Florence in the first years of the 16th century, including Leonardo da Vinci , Michelangelo , and Raphael . When the young artist came under the spell of the ardent Dominican reformer Girolamo Savonarola in 1500, he abandoned his artistic career for several years to join the order, becoming Fra (Friar) Bartolommeo. He made this work after his return to painting in 1504, investing it with a new spirituality.
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L'Ortolano (Giovanni Battista Benvenuti) — The Adoration of
Battista Dossi (Italian, c. 1490–1548) — Holy Family with a
Hans Leonhard Schäufelein (German) — Adoration of the Shephe
Francesco Granacci (Italian, 1469–1543) — John the Baptist b
Adoration of the Shepherds
Konrad Laib (German) — Adoration of the Magi
Catena (Vincenzo di Biagio) — The Adoration of the Shepherds
Geertgen tot Sint Jans (Netherlandish, c. 1460-c. 1490) — Th
Bartel Bruyn, the elder — Virgin and Child with Saint Anne,
Adoration of the Shepherds
Gerard David (Netherlandish, 1450/60–1523) — The Nativity
Perugino — The Nativity