● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These four panels , together with another one depicting the Resurrection (Metropolitan Museum of Art, New York), once constituted a predella—a series of small pictures, often narrative scenes, forming the base of an altarpiece. These predella scenes depict moments when Jesus’s divine nature was revealed: at his birth, at his baptism, during his conversation at a well with a Samarian woman, at his res-urrection, and through his appearance to Mary Magdalene after his resurrection. The painting that once surmounted the predella as the focal point of the altarpiece has not been identified.
Be the first to share your thoughts.
Sign in to join the discussion.
Perugino (Pietro di Cristoforo Vannucci) — The Resurrection
anonymous — Baptism of Christ
Unknown Artist
Italian, second half of 16th Century — Baptis
Lucas Cranach (German, 1472–1553) — The Baptism of Christ
Taddeo di Bartolo — The Crucifixion
The baptism of Christ
Francesco Granacci (Italian, 1469–1543) — John the Baptist b
Adoration of the Shepherds
Netherlandish — The Lamentation
Cima da Conegliano (Giovanni Battista Cima) — Madonna and Ch
Jacopo Tintoretto (Italian, 1518–1594) — Baptism of Christ
Girolamo dai Libri|Giovanni Jacopo Caraglio — The Virgin and