● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These four panels , together with another one depicting the Resurrection (Metropolitan Museum of Art, New York), once constituted a predella—a series of small pictures, often narrative scenes, forming the base of an altarpiece. These predella scenes depict moments when Jesus’s divine nature was revealed: at his birth, at his baptism, during his conversation at a well with a Samarian woman, at his res-urrection, and through his appearance to Mary Magdalene after his resurrection. The painting that once surmounted the predella as the focal point of the altarpiece has not been identified.
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Perugino (Pietro di Cristoforo Vannucci) — The Resurrection
Master of Apollo and Daphne — Susanna and the Elders in the
Bernardo Daddi — Saint Reparata before the Emperor Decius
Jacopo del Sellaio (Italian, c. 1441–1493) — Tarquinius Pris
Liberale da Verona — Scene from a Novella
Fra Carnevale (Bartolomeo di Giovanni Corradini) — The Birth
Bernardo Daddi — Saint Reparata Being Prepared for Execution
Matteo di Giovanni — The Dream of Saint Jerome
Nicola di Maestro Antonio d'Ancona — Scenes from the Life of
Giovanni Baronzio — The Feast of Herod and the Beheading of
Giovanni di Paolo (Giovanni di Paolo di Grazia) — The Annunc
Pinturicchio — Judgment of Paris