Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Revered as America’s master of watercolor, Winslow Homer did not begin working in the medium until the mature age of thirty-seven. As a watercolorist, Homer adapted his practice to the diverse locales he visited. His sojourns in the tropics took him to the Bahamas, Bermuda, Cuba, and various locations in Florida. In each new environment, the self-taught artist pushed the flexible medium in new directions as he applied his increasingly sophisticated understanding of color and light to a new set of atmospheric conditions. This compelling watercolor was painted during Homer’s second trip to the Bahamas in the winter of 1898–99. Depicting a luckless man washed up on the beach, surrounded by fragments of his shattered craft, the work demonstrates the artist’s fascination with the rapid and dangerous weather changes of the region. Here sunlight glints through gradually thinning storm clouds. Homer employed thickly applied opaque red and yellow pigments for the seaweed tossed on the sand, creating a contrast with the thin washes and fluid brushstrokes that he used to render the receding waves.
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Winslow Homer (American, 1836–1910) — Early Morning After a
Clarence Holbrook Carter (American, 1904–2000) — Mysterious
Winslow Homer (American, 1836–1910) — Boy with Anchor
William Henry Drake (American, 1856–1926) — Tail Piece for C
Theodore Roussel — The Sea at Bognor
Edvard Munch — Omega's Flight
George Bellows (American, 1882–1925) — On a Raft
Eugène Delacroix — The Sea at Dieppe
Edvard Munch (Norwegian, 1863–1944) — Alpha and Omega: Omeg
Gustave Courbet — Marine: The Waterspout
John La Farge (American, 1835–1910) — A Rishi Stirring Up a
Louis Auguste Lepère — Breaking Waves, September Tide