Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Winslow Homer observed the shoreline in various weather conditions and seasons after moving to live in near isolation in Prouts Neck, Maine, in 1883. Amid the remote and dramatic landscape, he depicted seascapes void of human life, focusing instead on an emotional response to nature. His marine scenes are larger than his earlier works, the size of the canvases emphasize the vastness and power of the sea. Homer alluded to the violence of water through the sharply diagonal shoreline and vigorous brushwork. The flat areas of color that he employed to represent the rugged rocks simultaneously hint at abstraction.
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Chaim Soutine — Landscape of the South of France (Paysage du
Jasper Francis Cropsey — Blasted Tree
Winslow Homer (American, 1836–1910) — Early Morning After a
Jules Dupré — Two Boats in a Storm
Frank K. M. Rehn (American, 1848–1914) — An October Day
Henri Leopold Lévy — The Death of Orpheus
Gustave Courbet — Marine: The Waterspout
David Gilmour Blythe — Old Virginia Home
William Keith — Landscape
Johannes Tavenraat — Sand Excavation
John Constable — Landscape with Cottages
Unknown — Wooded Landscape with Cows in Foreground