Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Louis-Auguste Lepére began his career as a commercial wood engraver, but in 1885 he decided to begin making his own original woodcuts. Moved by Japanese prints exhibited at the 1888 Exposition Internationale de Blanc et Noir and the 1889 Exposition Universelle, Lepére experimented with the color woodcut process. Breaking Waves pays homage to the ocean imagery popular in the islands of Japan and integrates a diagonally recessed shoreline with a horizon line just above the center elements that find a counterpart in Utagawa Hiroshige's Hamamatsu .
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Auguste Louis Lepère (French, 1849–1918) — The Breaking Wave
Auguste Louis Lepère (French, 1849–1918) — The Breaking Wave
Auguste Louis Lepère (French, 1849–1918) — The Breaking Wave
Theodore Roussel — The Sea at Bognor
Theodore Roussel — The Sea at Bognor
Thomas Moran — The Resounding Sea
Theodore Roussel — The Sea at Bognor
Theodore Roussel — The Sea at Bognor
William Henry Drake (American, 1856–1926) — Tail Piece for C
Thomas Moran — The Rapids Above Niagara
Theodore Roussel — The Sea at Bognor
Max Klinger — Abandoned, plate five from A Life