Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The End of the Day, Adirondacks captures a fisherman’s introspective moment. Homer rendered the light from the setting sun with pale pink and orange washes, seen in the sky and reflected in the water. Foliage in the background and at the right side of the image is depicted abstractly, adding to the scene’s hazy atmosphere. This area shows signs of overwork, where Homer repeatedly removed and added color as he sought to soften the contours of the landscape, as if enveloped in the mist of evening. Characteristic of the artist’s working methods, he did not try to obscure the passage and chose to let it stand.
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Thomas Moran — Beverly N.J.
Hugh Huntington Howard — Landscape with Gate at Sunset
Winslow Homer (American, 1836–1910) — Mink Lake, Adirondacks
Johannes Gijsbert Vogel — Landschap aan de vaart bij Hilvers
Frank Short (British, 1857–1945) — The New Moon
Adolphe Appian — Fisherman in a Boat at the Riverside
Félix Bracquemond (French, 1833–1914) — Small ferry-boats on
Winslow Homer (American, 1836–1910) — Spearing Eels
Félix Bracquemond — Bachots au bords de la Seine
Robert Frederick Blum — Gondolas, Grand Canal, Venice
Alphonse Legros (French, 1837–1911) — The Fish in the Hoop N
Sir Francis Seymour Haden — Penton Hook