Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the conclusion to the print series Four Stages of Cruelty , the corpse of the murderer Tom Nero is dissected in an anatomy theater. At this time the bodies of criminals were the main source of cadavers; here Hogarth pointedly left the hangman’s noose around Nero’s neck. The dog gnawing on an discarded organ, possibly the heart, refers to the character’s unseemly torture of a dog in the first print of the series.Hogarth commissioned this work and Cruelty in Perfection in a rare foray into the woodcut medium, but abandoned the experiment after only two prints; he published the complete series as smaller engravings a year later.
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William Hogarth (British, 1697–1764) — The Laughing Audience
William Hogarth|Dr. John Hoadley — A Rake's Progress, Plate
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Nicholas Amhurst|William Hogarth — Frontispiece to Nicholas
Thomas Howell Jones|George Humphrey|Charles Matthews — The M
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William Hogarth|Dr. John Hoadley — A Rake's Progress, Plate
William Hogarth|Dr. John Hoadley — A Rake's Progress, Plate
Samuel Ireland|Molton and Co.|William Hogarth|James Spiller
Thomas Rowlandson|Charles Grignion, I|James Sibbald — Clinke
Reinier Vinkeles (I) — Stadstekenacademie te Amsterdam, 1764